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Comedy & Theatre

Come Laugh, It’s For Charity!

Several Western students and their families from Toronto bundled up for a great night of comedy on Sunday to support hungry, underprivileged children. Thanks to the UWO chapter of Canadian Feed the Children, comics Arthur Simeon, Marty Adams, Jeff Leeson, Lars Classington, and host Al Val offered patrons plenty of reasons to laugh and forget about the shivering temperature outside, until Arthur joked about Canadian winters, that is.

Opening acts Jeff Leeson and Lars Classington, from late night comedy talk show London Tonight with Jeff Leeson, both enjoyed poking fun at the elderly. Jeff shared an amusing anecdote about a man who mistook a portable phone for a cell phone and brought it on a road trip, then acted out an old woman counting her change at a grocery store checkout. Lars entertained the crowd by sharing his “million dollar idea” for a new poutine diet, whereby cheese and gravy shall be added to every meal. The Poutine Zero diet is his solution to making weight loss a new year’s resolution.

Second City alum Marty Adams offered the most interactive performance, by asking audience members to write down pet peeves and things that annoy them. Chewing loudly is clearly something that gets on everyone’s nerves, but almost nothing compares to the frustration of watching someone text while you’re in the middle of a conversation. I’ve read books and heard songs about nut allergies, but I have never heard someone put such a hysterical twist on them before Marty. One can only imagine what Letterman would say in a top ten list about people like the girl in the front row who are allergic to fruit.

While Lars concluded his time on stage by conducting a symphony of sex noises, thus distinguishing who was shy in the audience, Arthur sure knew how to end the show. With his candid discussion about racist stereotypes, including a funny story about a late night on the TTC, among other tales about dating, living in Africa, and celebrating Christmas, Arthur ensured that it was a memorable evening for everyone at London Music Hall.

Studies in Motion on the Stage and Screen

The following is a response to Canadian Stage’s production of Studies in Motion, in collaboration with Electric Company. In this thought provoking show, director Kim Collier explores filmmaker extraordinaire Eadward Muybridge’s accomplishments as one of the first people to capture movement with a camera.

Muybridge is known as the father of cinema, so we all have much to learn from him. Google him if you’re interested in learning more about his discoveries.

Here are some tips to take away from the play, which should be of interest to those who were stuck writing exams and couldn’t make it to a theatre recently. Canadian Stage aims to present the best in Canadian contemporary theatre, so they’re definitely worth keeping an eye on.

How to Produce a Memorable Show

Take the time to select a good soundtrack, regardless of what the show’s running time may be. Everything makes a difference and adds to the production value. It also makes hearing about someone’s life story more entertaining.

Create dynamic stage pictures. The entire show’s choreography proves why lessons involving tableau-making are essential for a successful acting career. Kudos to the talented cast.

When producing a play set a century in the past, choreograph chorus members to act as if they are the horses carrying an orphan boy in a buggy. Not just any ordinary boy, but one who has been misled about the differences between a famous photographer and an omniscient religious figure because this makes for great comedic relief.

Assemble a cast of men and women who are willing to disrobe within seconds according to the script’s stage directions and parade across the stage in the nude.

You can maintain audiences’ interest by making them curious about just how much nudity will be in each scene. An audience advisory is one thing, but there’s always room for surprises. There’s a reason The Globe and Mail’s review is entitled ‘The Naked Truth about Eadward Muybridge’, as it’s very telling about what patrons could expect: a revealing tell all that’s not very kid-friendly.

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