Concert Review: Freedom or Death & Shout Out Out Out Out

Stepping inside Call The Office can feel like taking a gigantic step outside the Western bubble, but it’s one worth taking, especially when you walk away with a renewed sense of appreciation for Canadian talent.

The disco ball hanging from the ceiling near the stage was hardly indicative of the alternative and electronic sounds heard Tuesday night from Toronto’s Freedom or Death and Edmonton’s Shout Out Out Out Out.

When Freedom or Death’s lead singer Sway took to the microphone, he teased the crowd that it was a sound check, during which he wanted to gauge reactions from everyone in the “party town.” Before long though, people left their barstools to hear the as-of-yet unsigned band perform tracks from their album, Ego. Within their 40-minute set, their engaging stage presence quickly transformed young patrons into fans who yearned for an encore, some of whom found a spot near the stage to dance with friends.

While the headliners set up their gear, Sway chatted outside with some audience members who compared his guitar skills to Prince and overall style to Mars Volta. Suddenly Freedom or Death had acquired fan girls, who barely looked of legal age, anxiously wanting to dance with the singer during Shout Out Out Out Out’s performance.

As soon as Shout Out Out Out Out took to the stage, they attracted more people to the dance floor, including Sway. Their music sounds similar to recordings by Hot Chip, a band with whom they could definitely produce a great collaboration. The Edmonton rockers shared little commentary, except to introduce some new tunes, including a track called “Total Loss.”

The lack of lyrics in their songs drew focus to the band members’ onstage nuances and attire, particularly the keyboardist’s patent leather red brogue shoes.

Regardless of how you access music, be sure to add these Canadians to your playlists—your friends will be glad you did.

Originally published in The Gazette.

Previous Post Next Post