Browsing Tag

Toronto

Purple Streak

It doesn’t take a large survey of tween girls to realize that feather hair extensions are the latest craze. This new trend is popping up across North America, including in L.A. and Toronto, although very few hairstylists have been trained in Canada to date. Demi Lovato is one of many celebrities sporting the new trend and rocker Steven Tyler is another fan who has been seen wearing them on American Idol. Demand for the feathers remains high as people search online beauty shops and salon owners scramble to find suppliers.

I was able to act as a guinea pig, so to speak, for a local hairstylist just hours after she received her training. I couldn’t test out the blonde/black feather weave that she was wearing, but for the past week I have had a purple/black feather in my hair. I probably wouldn’t be able to find it if she had inserted a solid black feather, so this ‘purple streak’ seemed to be the most suitable option. It doesn’t make nearly as bold of a statement as the skater chicks who eagerly don bright pink streaks in their hair at Avril Lavigne concerts, but it certainly adds a unique touch to my ‘do. Pink hair is trending right now too, by the way.

Unless I put my hair half up or clip some of it back, it’s hard to notice because it blends in with the rest of my dark hair. The same goes for my naturally blonde friend (whom I share initials with), as she was given a light blonde feather extension that blends in with her highlights. The extension is expected to hold for 2-3 weeks, at which point it will simply fall out.

Growing up, I occasionally got a colourful hair wrap while at a theme park or all-over braids at a summer festival, but haven’t done anything like that for several years already. If I were to try out this trend again, I would definitely choose to get multiple extensions scattered throughout my hair so that it’d noticeable and look more playful.

Until posting this online, I’ve remained discreet about the addition to my hair, which has had no chemical treatment or colouring to date, and now I find myself tempted to experiment further. I also recommend it as a birthday party activity idea for girls – just envision how that group shot will look in the end!

Jennifer Love Hewitt    Selena Gomez

June 7, 2011 by

Studies in Motion on the Stage and Screen

The following is a response to Canadian Stage’s production of Studies in Motion, in collaboration with Electric Company. In this thought provoking show, director Kim Collier explores filmmaker extraordinaire Eadward Muybridge’s accomplishments as one of the first people to capture movement with a camera.

Muybridge is known as the father of cinema, so we all have much to learn from him. Google him if you’re interested in learning more about his discoveries.

Here are some tips to take away from the play, which should be of interest to those who were stuck writing exams and couldn’t make it to a theatre recently. Canadian Stage aims to present the best in Canadian contemporary theatre, so they’re definitely worth keeping an eye on.

How to Produce a Memorable Show

Take the time to select a good soundtrack, regardless of what the show’s running time may be. Everything makes a difference and adds to the production value. It also makes hearing about someone’s life story more entertaining.

Create dynamic stage pictures. The entire show’s choreography proves why lessons involving tableau-making are essential for a successful acting career. Kudos to the talented cast.

When producing a play set a century in the past, choreograph chorus members to act as if they are the horses carrying an orphan boy in a buggy. Not just any ordinary boy, but one who has been misled about the differences between a famous photographer and an omniscient religious figure because this makes for great comedic relief.

Assemble a cast of men and women who are willing to disrobe within seconds according to the script’s stage directions and parade across the stage in the nude.

You can maintain audiences’ interest by making them curious about just how much nudity will be in each scene. An audience advisory is one thing, but there’s always room for surprises. There’s a reason The Globe and Mail’s review is entitled ‘The Naked Truth about Eadward Muybridge’, as it’s very telling about what patrons could expect: a revealing tell all that’s not very kid-friendly.

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December 19, 2010 by

MTV Presents Brandon Flowers

About 500 fans lined up outside MTV’s Masonic Temple Tuesday night to watch Brandon Flowers showcase songs from his upcoming album, Flamingo. To their surprise, the lead singer of The Killers later stuck around to share insights about the band’s future and the unmistakeable influence of their hometown, Las Vegas.

The intimate atmosphere and giveaways on hand are not the only perks of being there in person. Studio audiences also have the opportunity to see a performer’s range and witness how one do-over can make all the difference. His first performance of ‘Magdalena’ was decent, but he was much more energetic and charismatic the second time around.

While many young girls enthusiastically expressed their love to him, only a select few women in the balcony sang all the words to ‘Crossfire’ by heart. Overall, fans should expect noticeable improvements in Brandon’s songwriting, as he explained that he articulates himself better as he gets older.

After admitting that he can’t keep a beat on the drum, Brandon acknowledged his reliance on his fellow band mates and showed no signs of arrogance. While describing how he included individual members of The Killers on his new record, Brandon noted bass guitarist Mark Stoermer’s absence as an exception. “He’s there in spirit,” he laughed. After commenting that many of his songs take on a whole new life when performed live, Brandon quickly defended himself again, reassuring the audience that the album is a great listen in itself.

As expected, Brandon’s new songs sound much like The Killers’ past releases. His duet with Rilo Kiley singer Jenny Lewis, ‘Hard Enough’, offers a slightly different sound and demonstrates the power of a smart collaboration. After casually describing Tom Jones as “a cool guy”, Brandon added that he remains excited about working with him once they find the right material.

Brandon’s sentiment about it being an unusual recording process comes across in his lyrics when he joins the list of musicians connecting with lonely souls by asking “Is there anybody out there…”. His pre-show nervousness was a hot topic during the interview and it appears that we’ll have to wait and see whether Brandon gains more confidence as an artist.

Originally published on Sympatico’s The Hook.

August 27, 2010 by

Concert Review: Arcade Fire

It sure has been a long time since I’ve enjoyed all the fun that Centreville has to offer. August 14th marked my first time back at Toronto Island in about ten years. It was also the first time I’ve seen patrons encouraged to support local eateries like Big Fat Burrito, rather than tempted to buy overpriced slices from Pizza Pizza. Despite the inconvenient wait for the ferry, the Island is a great venue for outdoor summer concerts. Surprisingly, I found the acoustics were better than I’ve heard at Molson Amphitheatre, so I anticipate that we’ll see many more popular headliners perform there in the future.

If you haven’t listened to Polaris Music Prize finalists The Sadies yet, please Google them ASAP; and the same goes for fellow opener Janelle Monae, who is simply incredible. While she was barely on my radar before this past weekend, Janelle has an unmistakable ability to demand attention, such as by standing on top of a speaker. After making a dramatic entrance covered in a black cape, Janelle was full of energy for her hour long set. She even impressed the talented Jully Black who tweeted that she is “dope”, and rightfully so. ‘Wondaland’ is a particularly catchy song, as was ‘Another Year Again’ by The Sadies.

Once the sun disappeared and Arcade Fire came on stage, they proved why their album has been #1 on the Billboard charts this month. Their ninety minute performance had the perfect combination of hits like ‘Keep the Car Running’ along with tracks from their new album The Suburbs, including my personal favourite, ‘Modern Man’. Lead singer Win Butler and his wife Régine Chassagne only spoke to the audience twice: first for the purpose of promoting their charitable work with Kanpe, an organization offering aid to people in Haiti, and then to thank Torontonians for their loyalty. Meanwhile, the band’s use of black and white clips from vintage films made for interesting multimedia displays without distracting fans from the eight musicians or their critically acclaimed lyrics.

While broadcasting a show live online was an innovative idea on their part, oohing and aahing along with thousands of other fans isn’t something you can do in front of a computer screen. When they first disappeared prior to their encore, the audience continued chanting to the tune of ‘Rebellion (Lies)’. Evidently, fans can’t seem to get enough of Arcade Fire, especially given that this was their third show in Toronto alone this summer. As the clock keeps ticking, one can only imagine what’s next for Arcade Fire, the band that never disappoints.

Originally published on Sympatico’s The Hook.

August 16, 2010 by

Concert Review: Bon Jovi’s The Circle Tour

Despite his recent injury, Bon Jovi remains a superb performer and maintained an incredible stage presence throughout both two-and-a-half hour long shows at the Rogers Centre.

Bon Jovi certainly knows how to show the middle aged soccer moms in attendance a good time. Jon is always one to please the ladies in the house by wearing unbuttoned shirts and flashing his gorgeous pearly whites. Loyal fans may have also noted that red is a reoccurring colour in his wardrobe and with good reason – it’s a great look for him!

By projecting silkscreen images of icons like Obama and Martin Luther King during ‘We Weren’t Born To Follow’, Bon Jovi inspired fans to create social change ASAP because after all, you can sleep when you’re dead.

Opener Kid Rock’s return to the stage made for a memorable duet when he joined Bon Jovi to cover Bob Seger’s ‘Old Time Rock ‘n’ Roll’, something keyboardist David Bryan “randomly” selected from the jukebox. The song was a fantastic addition to the set list and effectively added to the overall classic rock concert experience that always make Bon Jovi tickets a worthwhile purchase.

At risk of losing the audience’s enthusiasm, Bon Jovi tried offering a more intimate vibe by singing lack lustre acoustic versions of songs like ‘Someday I’ll Be Saturday Night’ in the middle of the audience. Furthermore, the band’s failure to perform ‘Raise Your Hands’ was also a major let down, as the memory of throwing my arms in the air at the ACC during The Lost Highway tour was half the reason I made sure to see him again! Fortunately they regained the crowd’s excitement with my personal favourite off The Circle record, ‘Work for the Working Man’ and then showed some attitude with ‘Have a Nice Day’.

Before closing with ‘Living on a Prayer’, Jon explained that it has been his dream to perform in the Rogers Centre ever since playing at Toronto’s El Mocambo nearly three decades ago, adding that he needed a few moments to take it all in. I’m glad that my fellow Torontonian fans could help you fulfill your dreams, Jon. Please come back soon.

August 10, 2010 by