Look at how grown up Abigail Breslin is now. Next time you’re surfing YouTube, search for video interviews with her so you can see why sophisticated and articulate accurately describe the budding actress.
I wish a casting director would cast her alongside Emma Stone in an upcoming production! Until then, look for this girl share the limelight with some of Hollywood’s finest looking actors in New Year’s Evenext month!
…Note that because the actors are listed in alphabetical order, her name appears fourth among her co-stars.
Year after year, beauty pageant contestants respond that their goal is to achieve world peace, but none of them summarize how to accomplish it quite like Mr. Simon (Ed Harris) in That’s What I Am (2011). “Human Dignity + Compassion = Peace” is a formula for everyone to take note of, not just Mr. Simon’s middle school students.
In this coming of age story, director Michael Pavone reminds audiences that the so-called strange individuals singled out by cruel bullies are not monstrous creatures who deserve inconsiderate treatment. Kind souls like Stanley (Alexander Walters) and Andy (Chase Ellison) make us wish that ruthless people would become more tolerant of others, without leaving nerds or exceptionally tall students to suffer for superficial reasons.
Some kids isolate themselves in washroom stalls to avoid bullies’ harsh comments, but according to the cool kids’ seating plan at this school, Stanley and his fellow tormented classmates, such as a headgear-wearing girl, must spend their lunch breaks in the dreaded ‘geek corner’. This is the closest thing they have to a safe haven on campus because it is unthinkable for any student concerned with social status to set food in this area of the quad. Given how much people develop at a young age, it is especially problematic when academically-inclined students who should be role models are routinely ridiculed.
Recess violence isn’t the only issue Pavone addresses, as he also portrays attitudes prevalent in the 1960s toward homosexuality. Accusing a teacher of being a homosexual and complaining about the whole world going to hell should not be done in the same sentence, but Andy’s father makes this connection during a rant. His unfair judgment of the award-winning teacher is not the father’s only shortcoming, but unfortunately the entire parent community shares his sentiment. The notion that a teacher’s sexual preferences should interfere with their employment, when no harm has been done, is unjust.
Pavone should be commended for creating a stunning film about growing up. Andy’s innocent stammering while talking to the beautiful blonde bombshell in his neighbourhood accurately captures the awkwardness of youth, especially once combined with his concerns about puberty-induced sweating. The fact that the school has a resident expert on cooties is hilarious. The boy’s role at school becomes troublesome when his advice leads to violence, but his title in itself takes reiterates the innocence of childhood when catching cooties is one of children’s greatest worries.
It is unusual for a film set in the 1960s to dedicate merely two lines of dialogue to racist prejudice and cast an African-American boy as the protagonist’s best friend without any havoc as a result. The setting is refreshing however because so many films made today focus on cyber-bullying via IMs and camera phones, whereas Pavone successfully gets to the core of middle school drama without any text messaging under the desk.
It’s a shame that such poignant storytelling is relegated to limited release because That’s What I Am epitomizes why films inspired by true events raise the bar for all other productions.
The trouble with Oscar statues is that they aren’t packaged the same way Mattel and Hot Wheels toys are – there is no explicit age warning.
As seen in the clip, 15-month-old Lara Egan, the daughter of The King’s Speech’s co-producer, Simon Egan, lost her grip of her father’s Oscar at a celebration on Feb 28, the day after the highly anticipated awards ceremony.
“Like everyone else I was celebrating off in one corner of the garden with some friends when I saw my daughter looking very cute with the Oscar having her picture taken,” Simon recalls.
Immediately after the award fell out of her hands, Simon heard it hit the concrete.
Shortly after contacting the American Academy of Motion Picture Arts and Sciences, the Academy replaced Simon’s damaged Oscar with a brand new one.
“I had no idea that they had an ‘Oscar Hospital’ on standby,” he told the press.
Thanks to the Academy’s quick response however, Simon no longer needs to worry about how a damaged award will look on his mantelpiece.
In Canadian director Ivan Reitman’s latest romantic comedy, No Strings Attached, Ashton Kutcher and Natalie Portman play Adam and Emma, two young and naive professionals who try having a casual relationship.
All relationships have rules, both explicit and unspoken, and friends with benefits are no exception. Adam’s neighbour reinforces this in passing, knowing very well that it’s foolish of Adam to think his friendship with childhood crush Emma is any different. Even Pinnocchio knows that there are always strings, but these two stubborn lovers would rather explore the benefits of their friendship. As if their fate wasn’t predictable from the trailer, Emma and Adam quickly realize that having “no strings attached” is unachievable.
Furthermore, its use of symbolic moments and holidays support critics’ motives for passing it off as another formulaic chick flick. Must there always be a wedding or Valentine’s Day to motivate the characters to make a move or realize they’ve made a mistake? Then there’s the Hugh Hefner like age gap between Adam’s famous father and his girlfriend, as well as the romance between Adam’s roommate and Emma’s best friend. Kudos to them for being entertaining while doing what several supporting actors have done before them.
Nevertheless, there are several witty lines, including a metaphor about an 8-track. Among its humorous scenes are one in which Adam makes Emma a mix CD and lists a number of song titles that can be construed to have a subtext about menstruating. Like many modern movies, there is also Adam’s debate with his friends about the best way to respond to a late night text. As for what first resembled Britney Spears’ ‘Baby One More Time’ music video’, Reitman’s parody of Glee was clever and amusing. Finally, while it may be surprising that a Jewish widowed mother would date a boorish man nicknamed Bones, Reitman subtly references his and Portman’s Jewish heritage a few times throughout.
Most romantic comedies leave room for criticism, but this one is definitely worth renting. If its plot is a topic of interest, then stay tuned for the upcoming summer blockbuster, Friends with Benefits, starring Justin Timberlake. I wonder if there will be any references in it to Nsync’s ‘No Strings Attached’ album.
Update: Re-watched the film, this time recognizing New Girl actor Jake Johnson who plays Adam’s roommate! [January 2013]
There are several amusing quotes in this Academy Award winning film, but the scene in which Annie tells Alvy to come over so he can kill the spider in her bathroom remains memorable. First, Alvy says that he hasn’t killed one since he was thirty and then once he sees it, he adds that it’s the size of a Buick.
As Alvy and Annie stand in line at the movie theatre, Alvy is irritated by the cultural commentary of the man behind him, who evidently misinterprets the teachings of Marshall McLuhan. Then lo and behold, Alvy decides to teach him a lesson and introduces the man to McLuhan himself who tells the man that he is wrong. A scene like this could only be made in the seventies, so it’s something to appreciate. What a great cameo.
Speaking of cultural criticism, when Alvy arrives in LA, he remarks that people in California “don’t throw their garbage away, they turn it into television shows”. Unfortunately this rings true today to a certain extent, considering the lack of quality in entertainment produced on the west coast.
After her first session with her “analyst” i.e. therapist, Annie recaps how much progress she made during their visit. She tells Alvy about the therapist’s remark that Annie’s feelings about relationships can be attributed to penis envy. I remember when a media studies professor mentioned Freud’s theory about it and those who weren’t BBMing during the lecture rolled their eyes, or scrunched their eyebrows at the thought. Meanwhile, Woody Allen referenced it over thirty years ago in film, so why should the topic come as such a surprise?
While at a party with his friend, Rob, Rob refers to a female guest as the one with the VPL, which he then explains to Alvy stands for visible panty line. With so many girls wearing leggings as pants today, it may not be the best distinguishing characteristic anymore.
