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Sarah
Upon reading a friend’s witty status update, it seems natural to click the ‘like’ button to notify them that you feel the same way about something or find their comment amusing.
This reaction is logical because it’s classier (and quicker) to click the like button, than to write a comment with an emoticon at the end and pretend to be simultaneously winking and sticking out your tongue. You can see for yourself how ridiculous this looks in real life the next time you’re standing in front of the bathroom mirror (possibly with a digital camera in hand, if that’s something you like to do with your friends before uploading said pictures to Facebook).
With the proliferation of SMS-inspired abbreviations and acronyms, shorthand language is becoming increasingly appealing. So instead of saying “That’s funny” or “I agree”, now all it takes is the click of a button to alert your friend that you share similar interests. As Facebook continues taking over the Internet, our use of technology continues changes as well.
Instead of texting or calling someone to say that you empathize with them, you can simply say you “like” their comment (or link etc.). Friends disagree with each other too, which is precisely why people join groups advocating for Facebook to introduce a ‘dislike’ button. Facebook won’t do this anytime soon though because it would lead to too much negative feedback for their invaluable advertisers. Thanks to the ‘like’ button, people who haven’t seen each other in months can maintain a bond they established months ago, without needing to organize the necessary logistics involved in making plans.
As virtual forms of communication become more popular, fewer people need to co-ordinate which friend’s house to go to, where they’d inevitably spend time deciding what to do together. Smartphone apps designed to locate the nearest coffee shop are only useful for someone who actually meets their friend there (or who goes on their own and rudely carries on a phone conversation while placing an order). Secondly, online communication becomes even more enticing, once Internet users recognize the convenience of video chatting on Skype, while wearing pyjamas during a blizzard. As much as Facebook helps us stay in touch with acquaintances and classmates, it is also cultivating a culture of laziness.
No longer is there the same motivation to sit in a friend’s living room and flip through a photo album of vacation snapshots, as this can all be done online now. Sure, there are cords available to connect computers and cameras to big screen TVs, but are people really inclined to do this during family reunions? With Picasa and other web albums, friends and family can view photos at their own pace, read any captions the photographer (or Web 2.0 savvy curator) includes, and comment as often as they like, regardless of geographical distance.
Clicking the like button is an easy way to be friendly, without the social awkwardness of tapping someone on the shoulder and randomly saying hello, so it’s clear why people like it.
As depicted in The Social Network, the Facebook team brainstorms many nifty tools during their late night sessions and I’m curious to see what they release next.
The following is a response to Canadian Stage’s production of Studies in Motion, in collaboration with Electric Company. In this thought provoking show, director Kim Collier explores filmmaker extraordinaire Eadward Muybridge’s accomplishments as one of the first people to capture movement with a camera.
Muybridge is known as the father of cinema, so we all have much to learn from him. Google him if you’re interested in learning more about his discoveries.
Here are some tips to take away from the play, which should be of interest to those who were stuck writing exams and couldn’t make it to a theatre recently. Canadian Stage aims to present the best in Canadian contemporary theatre, so they’re definitely worth keeping an eye on.
How to Produce a Memorable Show
Take the time to select a good soundtrack, regardless of what the show’s running time may be. Everything makes a difference and adds to the production value. It also makes hearing about someone’s life story more entertaining.
Create dynamic stage pictures. The entire show’s choreography proves why lessons involving tableau-making are essential for a successful acting career. Kudos to the talented cast.
When producing a play set a century in the past, choreograph chorus members to act as if they are the horses carrying an orphan boy in a buggy. Not just any ordinary boy, but one who has been misled about the differences between a famous photographer and an omniscient religious figure because this makes for great comedic relief.
Assemble a cast of men and women who are willing to disrobe within seconds according to the script’s stage directions and parade across the stage in the nude.
You can maintain audiences’ interest by making them curious about just how much nudity will be in each scene. An audience advisory is one thing, but there’s always room for surprises. There’s a reason The Globe and Mail’s review is entitled ‘The Naked Truth about Eadward Muybridge’, as it’s very telling about what patrons could expect: a revealing tell all that’s not very kid-friendly.
Miracle – Matisyahu
Happy Hanukkah!
Candlelight – The Maccabeats
Happy Hanukkah!