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Toronto

Concert Review: KT Tunstall

TIFF might be over, but Toronto remains a star-studded destination. On Friday night, Avicii, Sarah Silverman and Serena Ryder all had events I would’ve loved to attend, but thanks to Nokia & Live Nation, I saw KT Tunstall. Twitter for the win, once again!

Tunstall kicked off her North American tour at the Danforth Music Hall and it was obvious that she was a little bit rusty. The apologetic singer repeatedly said “sorry” so many times that it became a running joke and the audience started counting. The Danforth Music Hall is a small enough venue that each time a fan shouted something at her, everyone could hear. This lighthearted banter created a laidback vibe that made the evening more enjoyable.

It was fun to hear Suddenly I See, Funnyman and Black Horse and the Cherry Tree live, but I wish she played more of her early hits. Instead, Tunstall focused on playing newer material. At some point between performing songs from her latest record Invisible Empire//Crescent Moon, Tunstall said she liked writing tracks in Arizona because “it’s the perfect place to meditate.” This album marks a transition in her career because after making upbeat pop-rock songs, she became interested in darker subject matter, including death.

Overall, I thought the sound quality was good, but the concert was short and there wasn’t anything too memorable. Though I’m grateful for having amazing seats in Row F, KT Tunstall’s performance didn’t top my first experience at the Danforth Music Hall when Sam Roberts rocked the house in 2008.

September 22, 2013 by Sarah Prince

Tuesday With Mitch Joel

Photo: Terry Fallis

On Tuesday I had a chance to connect with some industry peers and see not just any Canadian marketer, but one who’s so influential that he’s verified on Twitter! Mitch Joel, bestselling author of Six Pixels of Separation and president of Twist Image, was the featured speaker at the Third Tuesday meetup and he was awesome.

Surprisingly, the highlight of my evening was not the opportunity to meet people from Twitter in real life. It wasn’t Mitch’s jokes either (and there were a few). The best part of the event was the feeling I had when left. For the first time, spending two hours in a bar inspired me to be that girl sitting in the TTC’s red seats typing away. That’s why I like going to book signings – you always leave feeling inspired and last night was no exception.

Mitch made an interesting comment: “Writer’s block doesn’t exist. It’s bullshit.” From there, he went on to talk about how he likes to embrace the chance to write wherever and whenever he can, even if that means sitting on the floor at a conference.

September 11, 2013 by Sarah Prince

Behind the Band: June and the Bee

After meeting June and the Bee at Aspetta Cafe in Kensington Market, I was delighted when the band’s lead singer Emma agreed to do a Behind the Band interview.

What makes June and the Bee’s music unique?

We write our music using our lives as a malleable creative substance from which to draw upon. We play from a place of infectious joie de vivre and are utterly unconcerned with being anything other than what we are.

What can you tell readers about your songwriting process?

As a trio we all bring an ingredient. My brother, Eli, is the melody guy. While he plays, words are usually jumping down from the shelves of my mind and arranging themselves into lyrics. Lyric writing happens all the time. My way of processing an experience is turning it into a song. Zoe, our third member writes the wonderful harmonies. Her technical background in classical music grounds the band in an awareness of dynamics and all those elements that may seem miniscule but are responsible for the song being something we love to sing. As we have continued to grow as a band, we have started to share the different roles in the songwriting process.

Professional role model: Carrie Ferguson

When we first entered the folk scene, Carrie took us under her wing, emphasizing the importance of maintaining the essence of pure joy when playing regardless of the stresses and pressures the road ahead could present. We pride ourselves in being able to tend to that creative joy and let it radiate through our music. This joy is detached from the ego and is more about collectively sharing than about individual self-worth.

What is your approach to promoting the band?

I manage the band’s social media, regardless of the fact that I have historically been ‘living under a rock,’ so to speak. We love to keep things as personal as possible. Being from a small town, you know everyone. We want to invite all of our fans to be a part of our musical family. We usually just send out our mailing list via carrier pigeon. so if one morning you hear a tap on your window…you’ll know we are in town. If you are a part of the Facebook world, Like us because we adore you!

August 10, 2013 by Sarah Prince

Never Say Never

Justin Bieber and Dancers

I never thought I would see Justin Bieber perform live, but never say never!

Though I didn’t immediately recognize opener Hot Chelle Rae, it was fun to see them play their 2011 hit Tonight, Tonight, which instantly became familiar when they closed their set with it.

More than half an hour after Justin’s scheduled stage time at the Air Canada Centre on Thursday, a dramatic ten-minute countdown began. When he emerged from the ceiling wearing oversized wings, the first thing I thought of was Pink’s showstopping trapeze act at the 2009 Grammys. Justin may not have done any acrobatics, but his entrance was more than enough to excite fans.

Justin Bieber Toronto

From there, Justin literally started the show with a bang, as fireworks went off during his first song, All Around the World. Usually stars hold off on fireworks and confetti until the encore, so it was cool that these effects were used early on.

The themes for the graphics, video backdrops and dancers’ costumes ranged from outer space to underwater. Justin changed outfits at least four times and my favourite part was how he rocked fire engine red high top sneakers. (You know how much I love all things red!)

July 26, 2013 by Sarah Prince

24 Hours, 3 Bands, 2 Cities

Molson Amphitheatre hosted an amazing concert with the Goo Goo Dolls and Matchbox Twenty on Thursday night. The Goo Goo Dolls were up first and played many of their big hits, including Slide and Black Balloon, but the crowd didn’t stand up until they started singing Iris.

Goo Goo Dolls

Although it was disappointing that the two bands were never on stage together, they were both incredible. The Goo Goo Dolls’s music is more rock-heavy, whereas Matchbox Twenty’s set list was more mellow. Going to the nearly sold out concert was the perfect way to satisfy my nostalgia for the 90s and the crowd of 15,000 fans seemed to agree.

Matchbox Twenty

Typically that would’ve been enough live music to keep me happy for a few months, but then I went to another concert Friday night in Montreal. Just in time for Canada Day, Feist opened the Montreal International Jazz Festival.

TD was a prominent sponsor, which made sense considering their large presence seen at the Molson Amphitheatre on Thursday night, where they gave out neon green wristbands printed with a #TDmusic hashtag.

Feist took the stage a few hours after my VIA Rail train arrived, so it was very good timing. (Have I mentioned that taking the train is the best way to travel?) I’m not a huge Feist fan, but I’m always down for a good free concert, not to mention the opportunity to support Canadian musicians.

June 29, 2013 by Sarah Prince

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