Browsing Tag

relationships

Behind the Books: David Yoo

Best Known For: The Choke Artist: Confessions of a Chronic Underachiever (2012), The Detention Club (2012)

Current Employment and Projects: I teach in the MFA creative writing program at Pine Manor College, and at the Gotham Writer’s Workshop. Currently I’m working on a nonfic project tentatively titled CHASING THE SHIRT, a book about my ten years desperately trying to win a measly/pointless adult co-ed intramural soccer league championship.

Favourite memoirs & essay collections: This Boy’s Life – Tobias Wolff, Me Talk Pretty One Day – David Sedaris

Favourite magazines: I can’t afford to buy print magazines regularly–at this point I only allow myself this small luxury when I’m in an airport, in which case I usually buy Vanity Fair or something chunky that will a) last a while and b) make me smell like I’m going to my junior prom. I do read Deadspin and AV Club with regularity online, given that I’m an armchair athlete who has a verging-on-creepy reverence for really lame movies from the 80s.

Professional role model: Stewart O’Nan, who somehow manages to write a lasting, beautifully written novel every two years or so. When I feel overwhelmed by the seemingly un-climbable mountain in front of me, I think about how he’s already, in the same space of time, heading down the backside of it. His latest, The Odds, is that rarity: an engrossing, memorable short novel. What I’d give to be so concise…sigh.

In The Choke Artist, you admit that you “felt depressed about my crappy academic standing, yet at the same time more frustrated than ever that everyone still assumed I was an academic genius because I was Asian.” Describe how you feel about stereotyping in 140 characters or less:

I’ve never texted before + clueless re Twitter. Regarding stereotypes: surely I’m the only Asian guy who has never owned a cellphone…sigh.

August 17, 2012 by Sarah Prince

Behind the Brand: Sears

It’s one thing to “Like” a retailer on Facebook and follow them on Twitter.

It’s quite another to learn about who promotes which clothes belong in your closet.

Name: Robin Vengroff

Position: Styling Sample Coordinator

Employer: Sears

Education: Fashion Communications, Ryerson University

Favourite blogs: Worn Fashion Journal, The Man Repeller, Jak and Jil, Garance Dore, Style Rookie, ModCloth, Refinery29

Favourite mobile app: The Collection – New York Times Fashion

Style icon: Iris Apfel, Jackie O, and my Grandmother

Professional role model: Grace Coddington (Creative Director of Vogue), Alexa White (of W) and ModCloth.com founder Susan Gregg Koger

In 140 characters or less, why can we be optimistic about the future of Sears?

Sears is focusing on gaining back the trust of its customers. It’s a matter of getting back to basics, and putting value and quality first.

What do you enjoy about working for a retailer, rather than a fashion designer or magazine?

Working for a retailer was a big to do on my fashion professional checklist for a number of reasons. I think that the experience I have had in working from both other perspectives was not really fully developed until coming into this environment. Seeing how initiatives get put into place in this kind of world is so different. I like this environment because it pertains to the realistic expectations of shoppers. Fashion magazines are about taking clothes and making them into a story to portray a theme for the season. And working for a boutique fashion designer was geared towards pleasing a very particular kind of customer and style. In this world of mass retail we also develop and market brands and a story or theme for the season, but the customer base is so much larger that I felt that it was extremely important to me in my career to understand that relationship as well.

Sears in particular was enticing for me to work for because it presented a lot of opportunity for growth within company. As a company Sears is very nurturing of its own talent – there are programs in place like the Future Leaders Program for Buyers that trains and develops the skills of employees.

July 27, 2012 by Sarah Prince

Ashley Madison Doesn’t Belong in Meme Generators

The latest campaign for the website designed for cheaters proves why “kindness” is not in their mission statement.

This may not be a sizzling hot story anymore, but it left its mark in print and online and I for one am even more appalled by Ashley Madison as a result.

Adultery with someone of any gender or size is not a case of ‘everything bad is good for you’ (a book that’s on my to-read list, thanks to curiosity and a friend’s recommendation), not even in moderation.

Promoting infidelity makes Ashley Madison a deplorable company of questionable morals and I know I am not alone in saying so. That there are enough unfaithful people to support Ashley Madison’s business model is a real shame in itself. Their latest advertisement, which promotes their already disgraceful business, while creating a hurdle for fat acceptance, is even more deplorable. The print ad implies that men should ditch their overweight or obese wives for a scantily clad thin seductress instead.

Ashley Madison’s advertisement raises several issues about pornography, sex, stereotypes and beauty, which you can consider while reading message boards (yes, those still exist) where people express their outrage.

November 24, 2011 by Sarah

No Strings Attached

In Canadian director Ivan Reitman’s latest romantic comedy, No Strings Attached, Ashton Kutcher and Natalie Portman play Adam and Emma, two young and naive professionals who try having a casual relationship.

All relationships have rules, both explicit and unspoken, and friends with benefits are no exception. Adam’s neighbour reinforces this in passing, knowing very well that it’s foolish of Adam to think his friendship with childhood crush Emma is any different. Even Pinnocchio knows that there are always strings, but these two stubborn lovers would rather explore the benefits of their friendship. As if their fate wasn’t predictable from the trailer, Emma and Adam quickly realize that having “no strings attached” is unachievable.

Furthermore, its use of symbolic moments and holidays support critics’ motives for passing it off as another formulaic chick flick. Must there always be a wedding or Valentine’s Day to motivate the characters to make a move or realize they’ve made a mistake? Then there’s the Hugh Hefner like age gap between Adam’s famous father and his girlfriend, as well as the romance between Adam’s roommate and Emma’s best friend. Kudos to them for being entertaining while doing what several supporting actors have done before them.

Nevertheless, there are several witty lines, including a metaphor about an 8-track. Among its humorous scenes are one in which Adam makes Emma a mix CD and lists a number of song titles that can be construed to have a subtext about menstruating. Like many modern movies, there is also Adam’s debate with his friends about the best way to respond to a late night text. As for what first resembled Britney Spears’ ‘Baby One More Time’ music video’, Reitman’s parody of Glee was clever and amusing. Finally, while it may be surprising that a Jewish widowed mother would date a boorish man nicknamed Bones, Reitman subtly references his and Portman’s Jewish heritage a few times throughout.

Most romantic comedies leave room for criticism, but this one is definitely worth renting. If its plot is a topic of interest, then stay tuned for the upcoming summer blockbuster, Friends with Benefits, starring Justin Timberlake. I wonder if there will be any references in it to Nsync’s ‘No Strings Attached’ album.

Update: Re-watched the film, this time recognizing New Girl actor Jake Johnson who plays Adam’s roommate! [January 2013]

January 23, 2011 by Sarah

Favourite Moments in Annie Hall (1977)

There are several amusing quotes in this Academy Award winning film, but the scene in which Annie tells Alvy to come over so he can kill the spider in her bathroom remains memorable. First, Alvy says that he hasn’t killed one since he was thirty and then once he sees it, he adds that it’s the size of a Buick.

As Alvy and Annie stand in line at the movie theatre, Alvy is irritated by the cultural commentary of the man behind him, who evidently misinterprets the teachings of Marshall McLuhan. Then lo and behold, Alvy decides to teach him a lesson and introduces the man to McLuhan himself who tells the man that he is wrong. A scene like this could only be made in the seventies, so it’s something to appreciate. What a great cameo.

Speaking of cultural criticism, when Alvy arrives in LA, he remarks that people in California “don’t throw their garbage away, they turn it into television shows”. Unfortunately this rings true today to a certain extent, considering the lack of quality in entertainment produced on the west coast.

After her first session with her “analyst” i.e. therapist, Annie recaps how much progress she made during their visit. She tells Alvy about the therapist’s remark that Annie’s feelings about relationships can be attributed to penis envy. I remember when a media studies professor mentioned Freud’s theory about it and those who weren’t BBMing during the lecture rolled their eyes, or scrunched their eyebrows at the thought. Meanwhile, Woody Allen referenced it over thirty years ago in film, so why should the topic come as such a surprise?

While at a party with his friend, Rob, Rob refers to a female guest as the one with the VPL, which he then explains to Alvy stands for visible panty line. With so many girls wearing leggings as pants today, it may not be the best distinguishing characteristic anymore.

January 9, 2011 by Sarah