Browsing Tag

movies

Rewind and Re-watch: Legally Blonde

To kick off a new category and series of HOTS blog posts, I’ve revisited one of my favourite chick flicks: Legally Blonde.

I first saw Legally Blonde at a theatre at The Eaton Centre, which isn’t there anymore. It was 2001. Little did I know at the time that the film about a blonde sorority girl disproving others’ perception of her by going to Harvard Law School would spawn sequels and propel Reese Witherspoon’s career much further than Election could accomplish alone.

As I re-watched it for the umpteenth time on DVD, I was more attuned to the product placement. Not just the Red Bull that Elle’s sorority sister drinks while exercising or the stack of Cosmopolitan magazines on Elle’s dresser, but especially the OPI nail polish bottles scattered across her colourful room. Even when Elle has the revelation at a nail salon to enroll in law school to win Warner back, the back cover ad on the magazine she’s reading is for OPI. I also thought about the contrast between Elle’s nerdy classmates on black PCs and her brand new orange Apple iBook.

Continue Reading

Behind the Books: David Yoo

Name: David Yoo

Best Known For: The Choke Artist: Confessions of a Chronic Underachiever (2012), The Detention Club (2012)

Current Employment and Projects: I teach in the MFA creative writing program at Pine Manor College, and at the Gotham Writer’s Workshop. Currently I’m working on a nonfic project tentatively titled CHASING THE SHIRT, a book about my ten years desperately trying to win a measly/pointless adult co-ed intramural soccer league championship.

Favourite memoirs & essay collections: This Boy’s Life Tobias Wolff, Me Talk Pretty One Day – David Sedaris

Favourite magazines: I can’t afford to buy print magazines regularly–at this point I only allow myself this small luxury when I’m in an airport, in which case I usually buy Vanity Fair or something chunky that will a) last a while and b) make me smell like I’m going to my junior prom. I do read Deadspin and AV Club with regularity online, given that I’m an armchair athlete who has a verging-on-creepy reverence for really lame movies from the 80s.

Professional role model: Stewart O’Nan, who somehow manages to write a lasting, beautifully written novel every two years or so. When I feel overwhelmed by the seemingly un-climbable mountain in front of me, I think about how he’s already, in the same space of time, heading down the backside of it. His latest, The Odds, is that rarity: an engrossing, memorable short novel. What I’d give to be so concise…sigh.

In The Choke Artist, you admit that you “felt depressed about my crappy academic standing, yet at the same time more frustrated than ever that everyone still assumed I was an academic genius because I was Asian.” Describe how you feel about stereotyping in 140 characters or less:

I’ve never texted before + clueless re Twitter. Regarding stereotypes: surely I’m the only Asian guy who has never owned a cellphone…sigh.

Continue Reading

Movie Review: Ruby Sparks

Created by the directors of Little Miss Sunshine (without the adorable Abigail Breslin), Ruby Sparks is about a gifted, yet struggling writer Calvin, whose therapist inspires him to meet the girl of his dreams. What’s peculiar is that Calvin (Paul Dano) meets her because he created Ruby’s character while trying to overcome writer’s block.

Anticipating a multidimensional story about Calvin writing a book within the movie, I figured my Community t-shirt, promoting the most self-referential TV show I could think of, would be highly appropriate attire for the screening.  Incidentally, a middle-aged man stopped me during the Free People opening event to ask about the characters arranged in Warhol-inspired fashion. I identified Troy and Abed, and then went to the Varsity.

Without giving too much away, it’s notable that Calvin writes Ruby a Post-it note in a far more charming manner than when Berger leaves one for Carrie in Sex And The City. That’s when I fell in love with Ruby Sparks.

After wondering if the film’s major conflict would arise when Calvin’s handy typewriter eventually broke, I was proven wrong with a wonderful ending reminiscent of (500) Days of Summer, complete with an upgraded tool to write his next works.

Lastly, the minimalist design in Calvin’s home could easily be recreated for the stage, but does Apple sponsor theatre productions too? If you’ve seen Ruby Sparks and want it to become a book and/or play, please discuss in the comments!

UPDATE: Ruby Sparks was released on Blu-Ray and DVD on October 30 and it’s available from Chapters/Indigo.

Uncertainty

I re-watched Up In The Air for the first time since it inspired my debut blog post for Hot On The Street and picked up on different elements. Keeping in mind the themes of (un)happiness and uncertainty that it shares with Take This Waltz, I realized that those must be two of the defining social issues of this era.

When Up In The Air was released, America was in the middle of the recession. Now the economy is in recovery mode and people are still feeling uneasy and lonely. Magazines, movies and the like promote romance, offering tips to help you acquire it if you’re single, but ultimately leave people unsatisfied enough to make them continue subscribing and buying, hoping for that one life-changing tip.

Despite all the critics’ rave reviews, I walked out of Take This Waltz wishing that I hadn’t over-hyped it in my mind since its premiere at TIFF, which I missed because I was too busy needed to be in London for school. Then it had another special showing in New York at Tribeca Film Festival, which coincided with my first-ever trip to the Big Apple, but I couldn’t attend because it was sold out. It wasn’t a matter of being in the same place at the wrong time; sometimes there are circumstances beyond your control. Anyway, I was frustrated because I had such high expectations for a single film, and then walked out feeling disappointed.

Did I laugh when Lena Dunham tweeted praise for Take This Waltz? Absolutely. I tweeted her right back, with my fingers crossed that she would respond. She’s the girl who a lot of my peers look up to, waiting for her to put on HBO exactly what’s on their minds, yet they’re shy about expressing out loud. Part of the reason I’m drawn to her is that she’s got spunk. She doesn’t pretend like she rolls out of bed looking like a Hollywood diva; she allows herself to be seen by millions with somewhat messy hair and she just appears to be someone who goes with the flow. But as seen on TV with her character Hannah, we all have bad days. Girls feel miserable when they don’t have their periods. Just ask Dove. Those are the times when companionship matters most.

It’s not just about having someone to lean on when you get fired. People sweat the small stuff too – it happens. That’s when you need to recruit your personal support team – family, friends, professional mentors, even trustworthy acquaintances who may not call you a ‘friend’ per se, but you think the world of and respect.

If you have time to casually surf the web and read my blog right now, take a few extra minutes to compile a list of people to whom you can turn when times are rough and you can’t sleep peacefully anymore. Make the list and store it somewhere. Don’t publish it on Facebook and tag them all in it. Keep it in your nightstand drawer for easy access. If you never have to use it, consider yourself lucky.

Girls On Film

Below are a few of my favourite picks screened at the TIFF Bell Lightbox tonight for the Packaged Goods series, where aspiring filmmakers, tastemakers and moviegoers celebrated women’s talent in film.

HTC “One, Freefall”

Director: Sara Dunlop

Take your phone, get outdoors and go on an adventure. Bottom line: have fun.

Dove “Growing Up”

Director: Kathi Prosser

As a loyal advocate for Dove’s Self Esteem Fund, it’s great to see a female director furthering the brand’s vision to help girls with body image and bring an important issue to light. Girls are indeed “growing up” in a turbulent time with too much pressure on appearances and this spot thankfully continues the conversation.

“Skyscrapers” – OK Go

Director: Trish Sie

This music video could easily double as an ad for Joe Fresh or Benjamin Moore. Great colours. Great music. Great choreography.