Browsing Tag

Chantal Kreviazuk

OHM Fashion Show

The annual OHM Fashion Show on Friday raised money for the Canadian Cancer Society and focused on street style this year.

The show’s passionate executive team created a sophisticated atmosphere, which made Centennial Hall look much nicer than the bingo hall it resembled when I saw Chantal Kreviazuk and the Barenaked Ladies play there.

Well-known youthful brands seen onstage included French Connection, American Apparel and Danier Leather. This men’s graphic tee by American Apparel caught my eye and reminded me that I’d like to make a similar shirt at the Bang-On store in Toronto.

OHM-6

A show inspired by Pinterest would be incomplete without some nice DIY designs. For the ‘Salvage’ segment, Leah Brown transformed thrift shop purchases, such as these denim shorts, into runway-ready outfits.

OHM-8

OHM not only highlighted some upcoming trends for spring, but also entertained the crowd through phenomenal choreography. As you can see, it’s never too late to learn how to make a ballerina-style hair bun!

OHM-5

Continue Reading

Concert Review: Chantal Kreviazuk

The setlist at Chantal Kreviazuk’s show Friday night at Centennial Hall made it seem like fans were privy to a unique live performance of soundtracks from popular films of the 90s and early 2000s. When she wooed everyone by playing popular hits like “Time,” this brought back memories of watching MuchMoreMusic before the channel’s re-branding, not to mention climactic melodramatic scenes from Dawson’s Creek.

Her career may have peaked in the 90s, but Kreviazuk’s commentary between songs was definitely timely for a concert in 2012. While introducing “Feels Like Home,” she shared that many couples gush about it being their wedding song, and then emphasized how divorces and multiple marriages have changed how people feel about it. Her anecdotes can be summarized by the themes of remarriage, rowdiness and rock stars’ lifestyles. Evidently an Apple customer, Kreviazuk also spoke about how much she loves FaceTime, especially when either she or her husband, Raine Maida from Our Lady Peace, are touring.

Early on, Kreviazuk made self-deprecating remarks about forgetting lyrics 12 times, joking that she needed a teleprompter, even though such errors weren’t noticeable. What was more frustrating, however, was how Kreviazuk repeatedly faced the orchestra rather than the paying ticketholders. Although she was understandably impressed by the orchestra’s seamless collaboration, it would have been nice to see more of her facial expressions while singing emotionally-driven lyrics, no matter how “honoured” she was to play with them. Apparently she assumed everyone was a major Orchestra London supporter, but the weak applause when she acknowledged them indicated otherwise.

Continue Reading