In the early eighties, I interviewed Timothy Leary for The New Music. I said “Dr. Leary, what do you see in your crystal ball for us in the future?”
He said in the future were all going to have to get really friendly with our computers.
I thought, “Friendly with a computer! What could be more sickening than that? That sounds like nerd time.”
Now I’m joined at the hip to my computer.
Source: The Globe and Mail
I’ve been thinking about the new Rewd blog at Western and Ryan Dergy’s quest to learn who is behind the @wstrngrl Twitter account. In his article, he proposes that perhaps it is run by Gazette staff because he finds it suspicious “that they got an exclusive interview with @wstrngirl a few months ago.”
Most of the Gazette’s editorial staff identifies themselves as multimedia journalists. Any driven journalist will make optimal use of their resources to get the dirt on an upcoming story when needed and interviewing @wstrngirl is no exception. The creator of the account could easily create an anonymous e-mail to exchange messages with a reporter while maintaining ‘her’ mysterious identity.
Moreover, the Gazette staff operates Canada’s only daily student newspaper and many of its writers are full-time students who write personal blogs. They already have plenty of fun in their office on the third floor of the UCC, while writing editorial pieces and debating each other about hot topics. As for participating in Western’s Twitter community, they share links to new articles, monitor the #uwo hashtag and laugh at what fellow students are sharing.
As a spokesperson for the stereotypical female Western student who wishes Weldon washrooms had full-length mirrors, @wstrngrl has plenty of fame online and offline. Likewise, Gazette writers already have a large readership and do not have the same motivation as the average attention-seeking Western student or business-savvy Ivey folks who want to experiment with social media.
@wstrngirl is a conversation starter and a comedian. The account’s followers don’t need to probe for more info about the person behind the computer screen or BlackBerry. Just read, tweet, and enjoy.
J.J.: I got a paper route.
Barney Stinson: Bah! Good time to get into print media, right Dad?
In preparation for my presentation at Western’s ‘Flaunting It’ conference next Friday, I revisited a paper I wrote last year about weight discrimination. My research focuses on how this affects hiring practices and employment, but it certainly affects overweight people on a larger scale.
In some developing countries, people are starving and malnourished due to poverty, but obesity rates are increasing around the world exponentially. Fortunately, people are taking note of these statistics, such as the producers of MTV’s I Used To Be Fat. The show completed its first season earlier this month after introducing viewers to nine high school graduates who devoted their summer to losing weight. Motivating viewers to meet their weight loss goals is a positive step forward, but it does not change the fact that far too many youth are binge eating, out of shape and lazy.
Before reading Barry Popkin’s The World Is Fat, it never occurred to me that people have developed such a sweet tooth that youth are not only overindulging in soft drinks, but also adding additional sugar. For many overweight people, being weight is not a conscious choice; sometimes it’s merely a matter of genetics. Deliberately sweetening drinks like that is outrageous though. Even after government regulations ensured that all food and beverage packing include nutritional information people are ignoring this data, or at least dismissing it as unimportant. Education is an essential tool to discourage such unhealthy lifestyle choices. This is important for not only nutritionists, doctors, and food manufacturers to reiterate, but also fashion designers and advertisers.
On Tuesday afternoon, I had the privilege of listening to the inspirational entrepreneur, Ben Barry, who spearheaded the Dove Campaign for Real Beauty, once again. Ben’s tenacity helped him convince Sears Canada to include models in their catalogue that resemble their customers, unlike the twigs who typically posed for their glossy pages. Since then, he continues liaising with fashion and marketing executives to help them sell products to their target demographic by hiring models who customers can identify with. The average soccer mom does not look like a toned size 2 woman with flawless skin and Ben asks advertisers to recognize that and promote their products accordingly.
As someone who started a business at age 14, Ben strongly believes in the potential of youth entrepreneurship and youth’s ability to inspire others and make great changes in the world. With Ben’s message in mind, I have changed my opinion about the MTV reality show because even if those nine kids inspired 100 people to start exercising, that’s better than nothing. Their reunion episode for the season finale allowed the participants to reflect on the show and prove to audiences that they have since created a social network amongst themselves and offer each other ongoing support. This is what people truly need: support, friendship and motivation. Whether this comes in the form of fat acceptance amongst hiring managers who should change their attitudes about candidates’ physical appearances, or clothing manufacturers that should produce high quality clothing that flatters overweight people, everything counts.
Ben Barry, November 2008, Queen’s University
The trouble with Oscar statues is that they aren’t packaged the same way Mattel and Hot Wheels toys are – there is no explicit age warning.
As seen in the clip, 15-month-old Lara Egan, the daughter of The King’s Speech’s co-producer, Simon Egan, lost her grip of her father’s Oscar at a celebration on Feb 28, the day after the highly anticipated awards ceremony.
“Like everyone else I was celebrating off in one corner of the garden with some friends when I saw my daughter looking very cute with the Oscar having her picture taken,” Simon recalls.
Immediately after the award fell out of her hands, Simon heard it hit the concrete.
Shortly after contacting the American Academy of Motion Picture Arts and Sciences, the Academy replaced Simon’s damaged Oscar with a brand new one.
“I had no idea that they had an ‘Oscar Hospital’ on standby,” he told the press.
Thanks to the Academy’s quick response however, Simon no longer needs to worry about how a damaged award will look on his mantelpiece.