Photo Source: Vulture
Awards season starts tonight and everyone is obsessed with Meryl Streep, so of course I had to see The Post. I live for watching movies about the media industry! Over the break, I finally saw State of Play. I also loved similar movies based on real stories, especially Obit (The New York Times) and Spotlight (The Boston Globe). In fact, one of my top professional highlights of 2017 was writing a tweet that was noticed by Kim Kardashian and then featured on the Boston Globe’s website.
The Post is about how Meryl Streep’s character Kay Graham, the first female newspaper publisher in America, handled the decision making process when her team at The Washington Post had the opportunity to publish the Pentagon Papers.
These papers were key because as one character points out, the U.S. government “knew we couldn’t win and still sent boys to die.” The movie explains how the classified documents went public while presenting the workplace drama that transpired at The Washington Post, as well as The New York Times and The White House.
If you’re passionate about politics and journalism, then this is a movie to strongly consider seeing.
5 years ago, I went to see Barenaked Ladies perform in London and I commented that it wasn’t as good as the concert I remembered in Toronto at the Air Canada Centre.
Walking into Massey Hall last night, I wondered if my claim that it’s better to see them in Toronto would be true and Saturday’s show proved that I was right. I loved everything about it, except for the encore because they played 2 covers I didn’t enjoy.
I’ve attended a couple great shows at Just for Laughs in Toronto, featuring Lena Dunham and Miranda Sings. I’m a huge fan of Jenny Slate’s acting chops, so I was thrilled to see she was part of the lineup for this year’s festival.
Yesterday I went to see a conversation with Jenny Slate at the TIFF Bell Lightbox and it was amazing. I knew I was going to like the event as soon as she said, “film sets are a lot like camp.”
Between the popularity of Throwback Thursdays and the Timehop app, the appeal of nostalgia in the media is going strong. So when I found out Jenny Slate is starring in a new movie about a dysfunctional family set in 1995, I was sold. I loved watching her in Obvious Child and I was ready for more laughs from the Jewish comedian in Landline.
Personally, I find characters that work in advertising more likeable, but there’s no excuse for Ali (Abby Quin) and Dana’s (Jenny Slate) cheating dad (John Turturro). I don’t care if he’s a superstar at McCann Erickson. He’s a scumbag. Ali reveals his infidelity to Dana after finding her dad’s love letters to his mistress on a floppy disk labelled as Ali’s schoolwork. Their reactions then become the focal point of the movie.
The last time Coldplay came to Toronto, I said I felt like I was in paradise. I don’t want to exaggerate, but the band came close to recreating that experience this week at the Rogers Centre.
First of all, it really comes down to where you sit. The Rogers Centre is huge, so it’s worth the extra investment in really good seats. This time I sat in the 200 level on the side of the stage and it was great. If it’s a pop concert with lots of detailed set design and costumes, it would be even more important.
My first Coldplay concert was also special because I had never seen an artist use lit up wristbands to connect the audience. Their team deserves a lot of credit for pioneering this. This time, they took their lighting to the next level by syncing their show with the CN Tower’s lighting system! That was truly magical and unique.